Two heads, one bald, one full-hair, are peeking out from above the red velvet chairs. Their owners, Anwar Ben Badis and Mona Hajjar Halaby, who conduct the Arabic and English tours, respectively, of the Jerusalem, We Are Here (JWRH) interactive documentary, are exchanging family memories of the place. Dorit Naaman, the creator and director, joins them as up on the big screen fragments of an old reel start rolling.
It’s July 2015 and we are filming the opening shots of JWRH at the Regent, the longest-running cinema in Jerusalem. Today it has a different name, but to us, as we go about remapping this area and bringing back, albeit digitally, the people and the life that existed here till 1948, it is and always will be the Regent.
Filming at the Regent – July 2015
If a picture is worth a thousand words, here are 18,000 words (plus change) – one K for each of the candles my mother would have blown out on her last birthday in her native land. Seventy years ago to the day, Anna Kassotou turned 18 . Given how things had shaped up in Jerusalem in the week preceding her birthday, I doubt there were many festivities planned for the day of her entry into adulthood.
I will then let these images be a celebration of her life in her beloved city.
Anna Kassotou was born in Jerusalem on 11 Jan 1930. Her father was Emmanuel (Manolis) Kassotis, a Greek citizen from the island of Samos who went to Jerusalem when his uncle, the Greek Orthodox Patriarch of Jerusalem, Damianos I, took him under his wing. Her mother was Paraskevi (Vitsa) Schtakleff, a second-generation Jerusalemite whose father hailed from the Balkans and her mother was a Greek actress from Asia Minor. Anna was born somewhere in the Greek Colony. When she was about three, the family moved to the house her father had purchased in Katamon, only a block or two away from the Greek Orthodox church of St Simeon.
1/ Baby Anna Kassotou
The only baby picture I have of hers, it was taken by the well-known Palestinian photographer David (Daoud) Abdo, who was also a relative, having married into the Schtakleff family.
It was a dark and stormy night. No, it truly was! “Torrential rain, accompanied by thunder and lightning fell in Jerusalem all Sunday night“, wrote The Palestine Post on 6 Jan 1948 noting that the belfry of the Dormition Abbey had been struck by lightning and windows had been broken. “Throughout the night there was heavy rain and one thunder-clap at 3.50 a.m. awakened many persons in all parts of the city.”
Like in most of the neighbourhood, in a corner stone house in upper Katamon, only a few blocks away from the monastery and church of St Simeon, the Kassotis family – my mother (just a week short of her 18th birthday), her parents and two sisters – would have been awoken much earlier, had the storm allowed them to sleep in the first place. To begin with there was the sound of grenade for at 1 am on Monday, 5 January, 1948 – exactly 70 years ago – the Hotel Semiramis, two doors down the street from the Kassotis, came under attack by the Haganah, the Jewish militia.
Kassotis house in Katamon.
Photographed by Jules Parisinos, April 1974
On 15 May Palestinians commemorate the Nakba, the anniversary of the 1948 catastrophe – the destruction of hundreds of thousands of Palestinian lives brought about by the creation of the state of Israel. A few nights ago, a Palestinian friend posted on Facebook an Al Jazeera article regarding the Nakba. I started reading it until halfway through I was stopped in my tracks by the cover photo of an embedded video. It was a photograph of a band and I’d be damned if I didn’t recognise the man on the bottom-right corner playing the saxophone! It was a face I’d seen in photos more than once.
I gave up on the article and immediately started watching the video instead. A 50-minute documentary titled “Lost Cities of Palestine” made in 2011 by Ramez Kazmouz, it described the richness of urban life in Haifa, Jaffa and Nazareth in the 1930s and ‘40s, through interviews with old and some not-so-old Palestinians and lots of archival footage and photos. Fascinating and at the same time depressing as the history of lost homelands tends to be.
Lost Cities of Palestine – an Al Jazeera film by Ramez Kazmouz (2011)
Preparing to write about the Schtakleffs, my maternal grandmother’s family, the other night I finally had a close look at the photos I took of the “Register”. Its official title is the Register of the Christian Orthodox Community in Holy Jerusalem. Its discovery is one of the big coups of my last trip to the my mother’s birth town in the summer of 2015. Before I write about its contents, I figured I’d tell the story of how I got hold of it.
Looking to continue the previous year’s research in Jerusalem into official documents, I started by asking around about burial records and was told that Bajali, a jeweller in the Old City, was responsible for issuing licences for burials at the Greek Cemetery so he would have the records. I mentioned this to George Tsourous (a Greek social anthropologist who had spent more than a year studying the Greek Orthodox community in Jerusalem – mentioned in a previous post) in our first meeting so we decided to go check there.